Jon Krakauer’s latest collection of outdoors mysteries and misadventures

Some authors become synonymous with a genre of writing. Everyone who reads of or aspires to grand adventure knows Jon Krakauer. It’s fitting then to title his latest collection of previously published articles “Classic Krakauer“, because inarguably, it is.
My first exposure to Krakauer’s prose and style was in 2004, when I borrowed a copy of Into Thin Air. I was just 15 when the ’96 Everest season took place, but I remember the drama unfolding in the local newspapers. Naturally, I was drawn to the story when I’d heard a narrative was published. Sweeping through that book led me to his other works, some of which I will write about here soon too.
If Krakauer has a theme in his writing, its that somebody is going to have a bad day.
Classic Krakauer (2019) is no exception. Much like his earlier Eiger Dreams, this is a collection of independent stories. This medley of articles originally published in magazines such as Outside, Smithsonian, and The New Yorker between the mid 1980s and mid 2010s – each a investigative piece into the darker side of, or unusual aspect of outdoor recreation.
One element of these particular selected articles that continued to surprise me was the apparent timelessness. At some point while reading each one, I had to check the original publication date, just to be sure the events were not contemporary. There is something altogether universal about the themes these stories focused on. People still get lost in wildlands, people still ignore signs of danger, people will continue to place themselves and others in harm’s way despite all the available resources to prevent disasters from happening. (And Jon Krakauer will likely still be writing cautionary tales about them still).
The book opens with Mark Foo’s Last Ride (1995), chronicling the early demise of one the most famous professional surfers. Following that, Living Under a Volcano (1996) summarizes what every Washingtonian knows- that Mount Rainier is a potential city-destroying natural disaster waiting to happen.
Death and Anger on Everest (2014)highlights the too-often overlooked Sherpa community and the dangers they face in supporting wealthy Western climbers. The need to address the social and economic impact of that alpine climbing has on the Sherpa people deserves more than this short piece. Continuing the climbing theme, After the Fall explores the investigation into a fatal accident on a commercially led climb. The event in question took place in 1986, but you wouldn’t know it reading the narrative. Every bit of what takes place could have happened yesterday.
One more climbing story finds its way into this collection, a strangely prescient micro-biography into one of climbing’s most notorious characters: Fred Beckey is Still on the Loose (1992). A revel amongst rebels, Beckey made more first summits than any other American, all the while alienating every person in his life. A recent documentary about Beckey, Dirtbag (2017) fills in the intervening years, and its not far off in illustrating what Krakauer envisioned.
Two of the included stories seem to defy Krakauer’s usual topics of misfortune: Descent to Mars (1995) follows the author has he and several NASA scientists explore caves in search of extremophile lifeforms. A Clean, well-Lighted Place (1985)is the most divergent article included, a story following the controversial architectural designs by Christopher Alexander, who’s philosophy of incorporating natural features into buildings engenders strong opinions.
Gates of the Arctic (1995) is perhaps the only inclusion in this volume which could appear dated- and only in doing so by the political football that is Alaskan conservation. At the time of publication, the namesake national park was not well known and the controversy over additional petroleum drilling on public lands was in the future. Nevertheless, every word of this story is evocative and necessary.
I recommend this book to anyone interested in outdoors topics, be it sports or nature. There is something included for each of you. Of course, that’s the one downside of a collected anthology like this example- you’ll wish you could have more from each sample. If you’re a fan of Krakauer, you’re going to read this anyways. If you’re not, you may find this book to be a jump-off point for the subjects explored.













